Ballet Talk with Pacific Northwest Ballet

Rep 1-Singularly Cerrudo (2021/22 Season)

Join PNB's former Manager of Audience Education Doug Fullington in kicking off the 2021/22 season with SINGULARLY CERRUDO. The triple bill celebrates the creative power of PNB’s Resident Choreographer Alejandro Cerrudo in the presentation of his most beloved work. Breathe in the moving tranquility of Silent Ghost, get a tantalizing look at the spectacular teamwork in an excerpt from One Thousand Pieces, and journey through the unexpected twists and turns of Little mortal jump. At the center of it all? Spectacular dancing and Cerrudo’s compelling perspective on humanity.

Rep 6 (Digital Season)

Doug Fullington talks about PNB's conclusion of our first-ever digital season with two world premiere works choreographed, rehearsed, and filmed exclusively for the digital stage by Tony-award winning choreographer Christopher Wheeldon, and artistic director of Ballet Met, Edwaard Liang. PNB's Resident Choreographer Alejandro Cerrudo's cheeky work, PACOPEPEPLUTO, closes out the triple bill.

Coppelia (2020-2021 Digital Season)

Doug Fullington's pre-performance Ballet Talk on George Balanchine's Coppélia.

 

Rep 4 (2020-2021 Digital Season)

Doug Fullington's pre-performance Ballet Talk for Rep 4 of PNB's Digital Season features your behind the scenes look at Doris Duke Artist award winner Donald Byrd's world premiere work And the sky is not cloudy all day, and residenct choreographer Alejandro Cerrudo's second premiere for PNB, Future Memory, both created and produced just for the digital stage.

Joining the program is an encore presentation of Alexei Ratmansky’s Pictures at an Exhibition.

Rep 2 (2020-2021 Digital Season)

Doug Fullington is back to guide us through his Ballet Talk for Rep 2 of PNB's Digital Season. Rep 2 celebrates a lineage of female choreographers each with their own bright and arresting perspective. Doug guides us through the world premiere works Ghost Variations by Jessica Lang and Penny Saunders' Wonderland; each created for the digital stage, conceived, rehearsed, and produced during the pandemic. These new works were joined by a series of male solos from Twyla Tharp's Waterbaby Bagatelles and a new-to-PNB work by Susan Marshall, Arms.

Rep 1 (2020-2021 Digital Season)

Doug Fullington kicks off Pacific Northwest Ballet's first rep of our digital season. Rep 1 features solos and socially distanced gems from Kent Stowell’s Swan Lake, George Balanchine’s Jewels, and Jerome Robbins’ Dances at a Gathering to PNB audience favorites like Ulysses Dove’s Red Angels, Jessica Lang’s The Calling, and Marco Goecke’s Mopey.

Roméo et Juliette (2020-2021 Digital Season)

Doug Fullington takes us behind the scenes of Jean-Christophe Maillot's Roméo et Juliette.

Q & A - Music Librarian, Mona Butler

Mona Butler has been a bassoonist in Pacific Northwest Ballet Orchestra since the orchestra was founded in 1989, and PNB's Music Librarian since the position was created in 1996. Marketing Assistant Maris Antolin sat down with Mona in late February to talk about what a Music Librarian does, the years-long process of putting together the orchestra parts for Alejandro Cerrudo's One Thousand Pieces, and the hard-working artists of PNB's orchestra.

Themes & Variations (2018-2019 Season)

In 2015, Price Suddarth was the youngest choreographer to create a work for Pacific Northwest Ballet - we're happy to have Signature back this season. George Balanchine's Tarantella is a total showpiece, originally choreographed for NYCB firecrackers Patricia McBride and Edward Villella (the same original cast for Rubies). José Limón's The Moor’s Pavane is a dramatic and emotional re-telling of Shakespeare’s Othello, all in the form of two couples dancing. And we close the performance with George Balanchine's Theme and Variations, which is the ultimate display of classical ballet.

A Midsummer Night's Dream (2018-2019 Season)

We have performed A Midsummer Nights' Dream over 100 times in the history of  Pacific Northwest Ballet, we have taken it on tour to many places including Istanbul, Hong Kong and Scotland. In fact, Doug Fullington went on the 2001 tour to London (where it was filmed and released by the BBC) and was in charge of the 24 student "bugs"! Learn how ballet companies have to get permission from the Balanchine Trust to alter George Balanchine's works, and who started out as a Hound, and is now performing the role of Titania.